Clayit

Studio

A small studio that makes things that have to hold up in a room.

Clayit works out of Abu Dhabi, Dubai and Amman on brand, event and editorial work. Most of what we make gets printed, mounted, handed out or walked past, which tends to settle arguments about whether a design is finished.

Based
Abu Dhabi, Dubai and Amman
Works in
English and Arabic
Registered
Clay It For Events

What we make

Three disciplines, and a frame from each.

01

Brand

Identity, guidelines, packaging and the system that holds them together. Usually starting from a mark, sometimes from one the client already owns.

Al Wafaa Dates
Al Wafaa Dates emblem and wordmark on navy
Al Wafaa, brand
02

Events

One key visual made to survive a dozen sizes, then everything the room needs: signage, invitations, agendas, media walls, table flags, film.

Masaood 2.0
The Masaood 2.0 key visual, the M mark rising over a skyline at sunrise
Al Masaood, events
03

Editorial

Long form print that has to be read rather than looked at, including bilingual layouts where neither language is the translation.

Al Masaood Magazine
Bilingual spread on the Nissan Patrol NISMO
Al Masaood, editorial

Who it was made for

The list is short on purpose.

  1. Al Masaood 5 projects Event identity, Environmental, Print
  2. Al Wafaa 1 project Identity, Packaging, Arabic type
  3. Twentis 1 project Identity, Guidelines, Digital

How the work happens

Three habits, applied to everything.

  1. 01

    Find the one decision

    Most briefs contain a single choice that settles everything after it. A colour, a module, a horizon. We look for that before drawing anything, because the rest is consequence.

  2. 02

    Build it at the hardest size

    A key visual is made at the size that will break it first, usually a name tag or a favicon, and then scaled up. Work built the other way around never survives the room.

  3. 03

    Prove it before it ships

    Printed, mounted, held at arm’s length, or measured in a browser. Anything that cannot be checked is an opinion, and opinions are not deliverables.

No dates. No percentages.

Every case runs at roughly the length the work needs and carries as many pictures as the archive holds. The artefact is the argument, so reaching the end of one project starts the next. Bring us something that has to exist by a date and lead with the date, because everything else is negotiable.

6 cases, 115 frames, all extracted from the original working files.